Some of my background painting work from this past season that are a culmination of great storyboarding, art direction, and 3D modeling. For this noir season we in the background department focused on dramatic lighting springing from multiple sources and set against heavy shadows. I particularly enjoyed working on the biker bar because it called for a bit of a Terminator 2 vibe to it, as well as the jail sub-basement and city morgue interiors.
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